There can be few bands in the world of metal with a history as convoluted and confusing as VON. Formed around 1987, the group were arguably the first black metal act in North America and proved both revolutionary and uncompromising, illuminating some listeners while simultaneously alienating many more, their truly barbaric primitivism proving unpalatable to the majority of heavy metal fans at the time. But despite that fact - or indeed because of it - in the years that followed their three-letter, one syllable name would be spoken in the hushed tones of utmost respect. VON would take on an almost mythical status, not least because there was so much confusion about the people behind the band.
*excerpt taken from Black Metal: Evolution of The Cult by Dayal Patterson
VON is an American black metal band originally based out of San Francisco, California. They are thought to be the first American black metal band, to have strongly influenced the second wave of black metal. VON was formed in 1987 and disbanded in 1992 by founders VENIEN (Jason Ventura) and Goat (Shawn Calizo). VON was originally formed in the state of Hawaii where drummer Snake (Brent) was eventually added to the VON lineup. This original lineup would go on to play a select few local shows as VON before making the move to VENIEN's hometown in San Francisco.
In 1989, two years after forming VON, the band recorded a raw rehearsal session inside their Union St. basement studio in San Francisco. This recording was considered by the band to be their first demo tape, which they called "Satanic". In 1990, VENIEN asked Kill (Joey Allen) to fill in bass duties for him during his time away, due to a family crisis in Hawaii, which ultimately ended with the tragic death of VENIEN's mother. During VENIEN's absence, between the end of 1990 through early 1991, Goat, Snake, and Kill played a few shows and recorded three additional demos "Satanic Blood", "Blood Angel", and from a non VON side-project called Sixx the demo titled "Sister Devil". Shortly after recording those demos, Goat parted ways with Snake and Kill and relocated to Los Angeles. As VENIEN returned to California, he would meet with Goat at his new home in Los Angeles, where they both came to the decision to disband VON. The decision would be based on Snake cutting all ties with the band, Goat following a new path in acting as well as a new musical direction with LA pop groups "Belinda D'Lux" and "10 Cent" with the Dust Brothers, and finally VENIEN enlisting in the US military.
There were a few controversial and unfortunate series of events that took place years after the disbanding of VON in 1992. Due to the rarity, scarce nature, and limited availability of demo tapes recorded by VON outside of tape trading, there were several companies releasing and selling bootleg material, and flooding the metal scene for years to come.
Unbeknownst to VON founders and music copyright owners "VENIEN" or "Goat", the California based record label "Nuclear War Now! Productions" (NWN) released the well-known "Satanic Blood Angel", an unauthorized bootleg compilation of demo material and VHS cassette tape audio of VON demos and live performances. This unauthorized bootleg was authorized by Joey "Kill" Allen, who was paid for supplying copies of the source material. NWN went on to mass produce this bootleg as a double CD/triple LP compilation featuring unauthorized and copyright material, which Kill nor NWN had any rights or permission to release, license, or sale. This bootleg would be repressed many times over the years and was thought by many fans to be an official VON album and release.
Due to the confusion and betrayal by bassist Kill, "Nuclear War Now! Productions" years later attempted to reach out to Goat and VENIEN to officially acquire rights to the source material. In addition, NWN attempted to acquire rights to the lost "Satanic" demo tape as well. After all attempts, NWN did not acquire the rights to the material owned by both VENIEN and Goat. NWN did however come to a side deal with Goat to acquire the rights to his and Kill's side project "Sixx" and solo project "Von Goat", but not VON or the music of VON. Years later, Goat finally revealed to VENIEN that NWN and Kill flew into LA to pay Goat cash, supply him a box of records, and gave him a contract for rights for the Sixx and Von Goat albums. In the end, NWN failed to acquire the rights to the music of VON from its co-founder VENIEN.
VENIEN created Von Records in 2006 to distribute all of the released and unreleased VON material. After the creation of Von Records, VON founders VENIEN and Goat once again reunited to attempt to record an album as VON. Between 2006 and 2010, VENIEN was contacted by Erik Danielsson of Watain, and was asked to come to Sweden to perform as VON, which eventually was changed to London, UK. This show would become the "Armageddon Festival" and also serve as Watain's "Lawless Darkness" album release party, but also mark the first time VON has performed live in 20 years. On June 6, 2010, at the Armageddon Festival (London, England), Watain and The Devil's Blood opened for VON, and to commemorate the show, VON recorded and released "Satanic Blood (7" Vinyl EP)", which contained re-recorded and re-worked versions of the demo songs "Satanic Blood", "Veadtuck", and "Blood Von". This show and record would unfortunately be the first and last time in 20 years VENIEN and Goat would perform or record as VON again.
Two years later, after the London reunion show, VENIEN formed a new lineup for VON without Goat, and finally completed recordings for the first official studio full-length album titled "Satanic Blood". In 2012, VON performed the "Ritual of The Black Mass" in Arizona, Los Angeles, and Brooklyn in support of VON's debut album release, this marked a new beginning and the rise of VON.
In 2013, Von Records announced the release of the Dark Gods Trilogy of albums, and released the first of three volumes, which would serve as VON's second full-length album titled "Dark Gods: Seven Billion Slaves" on March 22, 2013. VON began the "Ritual of The Black Mass European Tour" that year to support the release of the first volume from the Dark Gods Trilogy. In 2014, an advance release of all the upcoming singles taken from the second volume from the trilogy entitled Dark Gods: Birth of The Architects, which were released exclusively on CDs inside the limited edition release of the Dark Gods Comic Book. This was followed by the official release of the full length album Dark Gods: Birth of The Architects on June 6th 2017.
MUSIC OF VON
VON's first demos and then debut album "Satanic Blood" would display a pattern of highly simplistic black metal with short songs based on almost continuous blast beats (occasionally accompanied by drum fills) and repetition of only from one to three riffs, each containing only about three or four power chords based off VENIEN's original bass lines. The "Satanic Blood" vocals have a guttural growling fashion more characteristic of death metal than the Scandinavian black metal style established later. In the book "Lords of Chaos", Satanic Blood was described as "one raw-sounding demo tape". VON can be seen as having been ahead of their time, playing minimalistic black metal at a time when the genre was virtually non-existent, especially in the thrash-oriented West Coast of United States.
Years of unreleased demos from 1987-1998 by VENIEN, were eventually recorded and released as VON's "Dark Gods Trilogy" of albums. The sound of Dark Gods would showcase the potential growth and an amalgamation of what VON would have been. Never realized until years later, the volumes of songs would bring forms of the early minimalistic feel and tone of the early years, but with much more. The vocals intertwined levels of low growls with a slithering feel of textures, whispers, and voices of rage, an obvious expansion into a much more deeper and complex vocal landscape. The songs varied in tone, feel, depth, and execution throughout these volumes of recordings. Guitars, drums, and bass showed hints of the early form of VON, but at the same time expansion of output with more focus on the story driven aspects of the songwriting, ultimately dictating the varied speed, pace, and sounds throughout the volumes of recordings. VON was not meant to be seen as a relevant band in any genre, nor was their music intended, but fully realized by those that sought out a form of music that was solely focused on a darker path than what was relevant.
VON gained a cult following in the black metal underground since their disbandment and the few recordings of VON are considered classic and pioneering black metal. Prominent black metal bands have covered VON, either on record or live (or both), including Urgehal, KILL, Amok, Dark Funeral, Enthroned, Krieg, Taake, Leviathan, Engorge, Black Anvil, Watain (who are also named after a VON song), plus many more bands worldwide. Also, in addition to spreading copies of the Satanic Blood demo, Varg Vikernes of Burzum arguably did direct promotion for VON by wearing their t-shirt in one of his murder trial sessions. Over the years, the tributes to the music of VON by the various musicians and bands worldwide were eventually collected by Von Records and placed into an archive series of digital volumes online called LEGION OF VON - Tributes To The Music of VON
The word “von” means hope in some Scandinavian, Norwegian and Icelandic dialects, but according to the band, the name only represented "nothing but images of darkness and blood and exposes the pure evil within all species in all forms, a primal and pure form of darkness that dwells inside the hearts and souls of all human beings". In the early years, the controversy surrounding the letters of the band's name were inaccurately thought to be an abhorrent acronym that many thought stood for "Victory Orgasm Nazis". This repugnant mischaracterization of the American band and musicians, was solely based on a phone interview/statement made by a european black metal artist "Varg Vikernes" (Mayhem/Burzum), who foolishly used those words and his own personal belief and propaganda to spell the band's name to the interviewer, who apparently claimed did not hear the name VON correctly. The creators of VON, not aware of this controversy until many years after they disbanded, have always maintained they were a collective of free thinkers and never associated VON with any one group, idea, philosophy, ideologies, religions, beliefs, propaganda, or any other forms of constraint or submission.
(vocals / bass guitar)
(vocals / guitar)